Or do I? Quite honestly, I keep expecting any minute now for someone to pinch me, wake me up, and tell me it never happened - it was just a dream...
Since you're still here and reading this, obviously last night proved that all the theories about temporal paradoxes and matter and antimatter metting are indeed fiction - sure sound great in science fiction, but clearly not true.
Well, here it is: A look back at the day 20 years in the making...
"Burning Up" (12:00 pm-4:30 pm): Life really does suck in Southern California, especially this time of year. And, wouldn't you know it: It just had to be nearly 100 degrees here yesterday, on a day where I had to do a great deal of walking and being outside...
Needless to say, by the time I reached the Staples Center, I looked and felt like I'd run a marathon. Even three quarts of Gatorade and a quart of water wasn't enough to keep my hydrated. But, I've endured worse for less, so I sucked it up...
"Waiting" (4:30 pm-6:00 pm): Obviously, I arrived at the Staples Center early - quite early. Too early. But, I didn't know the area, and didn't want to try to cut it close and have something go wrong, so I figured worst-case scenario is I arrive early and wait...
Probably a good thing I did, as it took me about 15-20 minutes to find the alternate bus stop for the DASH DD to get from Union Station to Staples - the normal bus stop was closed due to sidewalk repairs...
Fortunately, they did have one merchandise stand open outside, so I picked up some goodies. I also found some interesting people to chat with, which brings me to...
"Music makes the people come together" (6:00 pm-7:15 pm): It's funny, I was planning on wearing something outrageous, but thought better of it (and a good thing with the weather). However, I wouldn't have been alone...
We had one woman show up as a "horse girl", obviously inspired by Esther Madge's photo shoot for W magazine. Great costume, but not even the costume of the day, if you ask me (maybe even the year)...
We had a transgendered person show up dressed AS Madonna - and was quite passable. In fact, I even told her the second time she walked by me "Now that is the costume of the year! Awesome!"
Best T-Shirt I saw? A woman with a T-Shirt that said "KISS ME, MRS. RITCHIE!" Someone I was talking to saw the shirt and said "I love it! It better work!", to which I added "And if it works, I'm going to borrow your shirt!"
"Where's The Party?" (7:15 pm): Finally, after a wait of nearly three hours, we are allowed into the building. This causes the only scare of the night for me...
Knowing I would have to pull an all-nighter in LA, I brought my backpack, complete with binoculars (good thing I brought them), two books and a few other goodies to help keep me occupied until I can finally head home at 6:00 am.
I was warned that it might be a problem. However, upon entering, all they did was say they needed to inspect it, which was obviously not a problem... They did so, and I was finally in - with only the ticking clock holding me back now...
I picked up a poster (they didn't have them at the outside stand), and made my way to my seat, which was a Bob Uecker Special - second row from the top... Thank goodness for the binoculars, and thank goodness for the fact I have a good angle to the stage...
"Time goes by so slowly for those who wait" (7:30 pm-8:45 pm): And now the most nerve-racking part of it all - the final wait. I'm there, I'm in, and now a wait of 20 years has boiled down to roughly an hour..
I take this time to chit-chat with people around me and adjust the binoculars. And bite my nails. And regret the fact there's no smoking in public venues anymore.
At about 8:40, I ask a woman behind me for the time - not so much for the sake of counting minutes, but for posterity... I want to know the minute that it finally all becomes a reality...
Of course, the show was supposed to start at 8:00. But, if you're Esther Madge Ritchie, you can start whenever the fuck you want. And, the fact she'd be 45 minutes or so late was no surprise - she's done so at every show so far.
"Tick tick tock..." (8:45 pm): And it's false start time.. I nearly jump out of my skin when they test some of the lighting, thinking "This is it!".. Not quite yet...
"Time Stood Still" (8:46 pm-8:51 pm): And now time for more jumping out of my skin, as they slowly start turning off lights - but not all of them... I'm beginning to worry a little that it's June Fool's Day and 18,000 people are in on a joke..
"Fever" (~8:52 pm): Finally, they kill all the lights, and a large jeweled disco ball begins descending toward the ground. Everyone is going nuts, me probably moreso than anyone else...
I honestly don't know if I'm cheering so loud thinking "Oh my fucking god, here we go!", or "Yes, keep dropping! Don't stop! Go! Go! Go!".. Maybe a bit of both... Maybe after 20 years of waiting - all the wasted oppotunities and my own wrong turns - I'm worried that somehow, someway, this won't happen...
"Touched for the very first time" (~8:54 pm): And, finally, that large disco ball reaches the stage...
A few seconds later, it opens up...
And.... Oh my fucking god. There she is, standing there dressed like a cross between an equestrian and a dominatrix...
After 20 fucking years, I'm finally looking at Madonna in the flesh! She's not a myth, like Wonder Woman. She's not a perfected female Max Headroom. She's real! And she's right there!
The crowd is going absolutely nuts... And in section 319, row 11, seat 13, a woman stands there, arms raised like a touchdown signal, screaming louder than she's ever screamed before...
And, to the shock of anyone who notices, there are tears in her eyes.
I didn't plan it that way. I don't know if it was sheer joy. I don't know if it was reflecting back on the 20 year road to this destination - the wasted chances, the regrets over my "I hate Madonna!" stage, thinking back to all that has been lost and has changed since 1986.. Maybe both. But that moment was one of the most overwhelming of my life...
It's no longer a dream. It's no longer a wish. It has finally become reality!
And here are some of the highlights of her performance...
Horsing Around: Esther Madge opened up with "Future Lovers" (mixing in a few lines of "I Feel Love"), with the Steven Klein horse video playing, while Esther engaged in a little "horseplay" with her dancers.. Definitely erotic, passionate and wild...
Finally, after 13 years, we once again get "Like A Virgin", which she hasn't done live since the Girlie Show. She performed this on a saddle on a pole, as a video played showing people thrown off horses and X-rays of broken bones... It's always a pleasure to hear her perform one of her classics.
She then closed out this segment with "Jump", a very energetic performance with some real acrobatics by her and her dancers. The live performance of this song felt even more energetic than the CD track.
So far, we are off to a rousing, energetic start... But now it's time for the real fun.
"I have a tale to tell...": As Esther Madge changes costumes and prepares for, well.. YOU KNOW.. We get three spoken-word stories from three of her dancers - as they do their thing on the floor, we hear their stories of past trauma - domestic violence, suicide attempts and gang-banging...
Very moving, in and of itself...
Then, of course, we get to the moment the whole world has gone apeshit over - the large mirrored crucifix is raised, and there is Jes - err, Madonna, complete with her crown of thorns, singing "Live To Tell" as statistics about AIDS are on the screens.
Between the dancers and the song itself, a very touching performance - one that really sticks out compared to the energy of most of the show...
I'm not sure I still understand the use of the cross, but it is a shame that the media has fixated on the cross, while overlooking the powerful statement she makes about triumph (what the dancers have overcome) and tragedy...
Next we move onto "Forbidden Love", and with some of the routines from the dancers, no doubt she wanted to make a strong statement about homosexuality here...
After that, we get the first taste of "her friend Isaac" with... "Isaac". I for one was very impressed with this song when I first heard Confessions On A Dance Floor. The live performance just blows it away. I am keeping my fingers crossed we will see a live CD from this tour, just to have a copy of this performance...
Next up is "Sorry" (and, no, not what the controversy is about... yet). Esther puts on a leather jacket for this performance, and decides to reenact the whole Britney "controversy" with a few of the female dancers...
During her second costume change, we get the video that, along with the cross, the media can't shut up about.. The "Sorry" reprise. Images of Bush, Cheney, Condi, Hitler, Saddam, and even the KKK appear. The statement here is very straightforward, and very powerful - it's very anti-hate, and anti-violence. The dancers play-fight as the video plays...
And, needless to say, the crowd went nuts during the part that was edited to have Bush blink uncontrollably.. Great stuff.
Madonna ROCKS!: Esther Madge returns from that costume change decked out in leather, and grabs an electric guitar. She does one hell of a job rocking out during this segment, ESPECIALLY during "I Love New York"..
And Kenny McCormick doesn't think she can play the guitar? Hah...
Of course, it's not "I Love New York" live WITHOUT the line. It's one thing to hear about the line.. It's another thing to actually hear it:
If you don't like my attitude
You can just F off
Just go to Texas
YOU CAN SUCK GEORGE BUSH'S DICK!
Now, I shocked Mike during our first TPIR taping, when I gave a couple Tiger Woods fist pumps.. Well, last night was a first: After Madge shouted that line, she became the first person to get a DOUBLE Tiger Woods fist pump from me (as in pumping both fists at the same time)! Congratulations, Esther Madge! You made history!
I also screamed and shouted something after that, that sounded an awful lot like "FUCK GEORGE BUSH!". In fact, come to think of it, that is exactly what I shouted... "FUCK GEORGE BUSH!"
Just a bitchin' performance by Esther Madge. Makes me long for her to do a rock album, just as a change of pace - like she almost did in 1994, before she scrapped it for Bedtime Stories.
However, Madge isn't done rocking yet, as she follows up with a rock version of "Ray Of Light"... I for one enjoyed it. I still prefer the original, but this version was a very cool change of pace.
She also gave us rock versions of "Let It Will Be" and "Paradise (Not For Me)" - the latter of which is Isaac's second appearance of the night.. In between, we get a very soft, almost folksy sounding "Drowned World/Substitute For Love", which she dedicates to all the people who have been there for her and helped mold her into who she is today...
Dancing Queen: And we close out the show with a few revamped classics, and one huge hit...
With the dancers now on roller skates, "Disco Inferno" with a little "Music" mixed in plays. Esther Madge returns and sings "Music" - not only a very energetic and fun performance, but definitely enhanced with her dancing and the dancers skating around. Definitely one of the highlights of the show!
Next we hear "Erotica", now as a very up-tempo, disco-sounding song, followed by a very different, more tropical-sounding "La Isla Bonita".
After that, two of Madge's dancers place her "Dancing Queen" cape on her, and we get her new, disco version of "Lucky Star"... Very, very fun twist on an old classic... Midway through the song, she goes right into "Hung Up", which has been slightly remixed but is still full of energy and fun - and becomes even more fun as Esther Madge grows frustrated with the fans on the floor not singing loud enough, and shouts "I can't hear you, motherfuckers!"
The show finally closes after two amazing hours with gold balloons falling to the floor, and Esther and the dancers dancing and walking off the stage...
Sadly, no encore... Regardless, I stood there for a few minutes, arms raised into the air, screaming some more after it was over. Absolutely amazing!
I spent pretty much the entire night on my feet: cheering, shouting, screaming, you name it. I don't know if I can rank this concert ahead of the first time I saw Sherrie Austin live, but it was definitely one of the most amazing nights of my life.
And, you know what? It wasn't over yet...
"Goodnight, And Thank You": Worn out after two hours of screaming, and an overall long day, I decided to unwind outside for a while. I chatted with some more fans, figuring I still have several hours to kill.
I ended up spending about an hour hanging out with a guy named Michael, and while chatting with him, one of the dancers (Norman) came out.
We walked over and chatted with him for a few minutes. I congratulated him on a great performance, and thanked him for being a part of such a special night to me. Not only did I snap a picture of him and Michael together (complete with Michael wearing Norman's pass as a joke), but someone else there snapped a picture of Michael, Norman AND me...
So, someone out there now has a picture of Maddy with one of Esther's dancers.
But, at this point, I decide to take a chance on an absolute longshot, figuring this could be the only chance I'll ever have...
"Like A Prayer"/The Encounter (~11:50 pm): I'm standing there, chatting with someone, when Michael says "Look to your left". I did.
It wasn't the one, two, three police motorcycles that caught my attention...
It wasn't the black sedan trailing those officers...
It was the person sitting in the middle of the rear seat, about five feet away from me...
Somehow, I managed to be good, and smile and wave, as opposed to smirking - as if to say "Hah hah! It's you, Esther! Do you know who I am?! I'm your Madonna now! Muahahaha!"..
And for about a second, we end up making eye contact.
No, it wasn't an autograph, a hug, a kiss or a hello. But at the corner of Georgia Street and Chick Hearn Court (rest in peace, Chickie), for one brief moment in time, I managed to cross paths with a woman I idolize and adore. For a few seconds, I was close enough to Madonna to be able to see her and recognize her - not on TV, not through binoculars, and not in a picture, but as an actual living person.
Yes, Virginia, there is a Madonna Ciccone. And to not only see her, but have her look back at me, will always be a special moment to me.
Concert ticket: $116.00
Round trip travel expenses: $30.65
Looking Madonna in the eye: PRICELESS
Goodnight, and thank
you, Madonna.
(Edit: Corrected a few horrible typos, and added something that had slipped my mind. Sorry. I was beat on going on 30 hours of very little sleep when I originally typed this.)
Labels: I'll Give You A Cross, Madge Collecting, Madge Worship, Madonna encounters Madonna