Well, I promised this a while back, and here it finally is.
The various stages of Madonnahood, 1984-
1984-mid 1986: "Who is she? Hmm, I guess she's okay..."
I know, she first hit the mainstream in 1983, but I hadn't even noticed her until a year later, and even then I didn't make a big deal out of her. I was still more into contemporary rock/pop at the time (Journey, Styx, Billy Joel) and not much on dance artists. Still, what I did hear from her was okay, but like most people, I didn't think she would take over the world - even after seeing the 1984 VMA performance.
Ironically, here in 2005, I find myself enjoying her music and image from this era more than just about any other in her career...
Mid 1986-1988: "Two words: Madonna fucking rules!"
Thanks to MTV and True Blue, I really got a steady dose of Madonna, and this period would mark the first era of being a huge Madonna fan. I purchased all her albums, taped all her videos, and had a few posters on my wall. I even thought (and still do think) Who's That Girl was a cute, funny movie.
The only problem I really had with her during this period was her out of control husband (and, ironically, I like Sean Penn a lot now).
Sadly, this era ended when I got into an inferior Madonna wannabe of the time (no comment).
1988-1990: "Ehh, she's still cool, but does she have to stir up so much shit?"
While I thought she made a good album with Like A Prayer, this of course was the beginning of the Madonna: Queen Of Controversy era. It started off innocently enough, by losing her Pepsi deal because of her video. But, of course, it began to spiral the next year with "Justify My Love" (not that I know of anyone here in 2005 who uses the cover for the single as their bio picture...). Needless to say, I was a bit more uptight back then, and I was more annoyed by the controversy than amused (which isn't true today).
1990-1994: "What the fuck? Shut up and go away already, you slut!" "Gawd, I HATE her! Fuck Madonna!"
No joke. Your very own Maddy, who just twelve months ago (the "reinvention" began on June 18, 2004 on Strange Forums) became the new and only true Material Girl, spent over three years absolutely despising, well... herself.
Already a bit annoyed over the "Justify My Love" controversy (again, I don't know of anyone who is using that cover as her bio picture), the annoyance quickly turned into hostility as Madonna pulled off one stupid stunt after another: Truth Or Dare, Erotica, Sex, Body Of Evidence, nudity, dating Vanilla Ice (EWWWW!), more nudity, her and her cigars (this Madonna prefers Misty 120's herself) and then the Letterman fiasco. I actually burnt my old posters, and kept hoping I'd go to sleep, and wake up to never see Madonna again.
What's funny is now when I look back at this era, part of me wants to laugh because it was amusing. And part of me pities her, to be honest with you. In studying up to take over as the true Material Girl, I've come to understand a great deal of what made Esther Louise Ritchie tick, and that her constant thirst for attention was due to the emptiness she felt in her life from the moment her mother died. She wanted her mother's love, and when she couldn't get it (because she was gone), she tried to replace it by making the whole world love her. Sadly, of course, she didn't quite understand what love is - confusing meaningless sex and the world gawking at her as "love". And the more "love" she got, the more she craved even MORE - hence even more outlandish stunts to make the world "love" her.
Now, here in 2005, I kind of miss this Madonna. Yeah, she was crazy (a bit understandable, when you go through life sharing the same name as your dead mother) and controversial (but, let's face it, she always has been, and it's part of what makes her who and what she is). But she was unpredictable and fun...
1994-1996: "Hmmm, she's starting to mellow out a bit. I guess she's not so bad..."
Along came Bedtime Stories (the album I truly feel SAVED her career, because I think had she released another album like Erotica and stirred up more shit like 1990-1993, she would've been FINISHED), which showed the world she could actually create music instead of controversy ("Take A Bow" is definitely one of my all-time favorite songs from her). She finally got her dream role in Evita, and shocked the world. Then, she shocked the world in a way most of thought she never world - MOTHERHOOD!
My first thought when I heard she was pregnent was "Uh oh, I still don't think it's a good idea for Madonna to reproduce...". And that thought was reinforced when I saw how much little Lourdes LOOKS LIKE HER MOTHER - almost like you began to think "Oh no. Here we go again in 30 years...". But, motherhood has definitely changed Madonna for the better. It seemed to not only help her mature, but take up at least some of the void that's been in her life since the original Madonna Louise Ciccone died in 1963.
1997-early 2004: "Well, this new Madonna is okay. Would be better if she wasn't doing electronica."
We definitely saw Madonna grow during this period - not only personally, but musically. Her lyrics took on more mature and spiritual topics, her singing improved (no doubt thanks to her work on Evita), and we began to see less and less controversy out of her - it seemed like the only shit she stirred up involved politics (criticizing Bush, speaking out against war - but that's nothing new, as she's always been very liberal and very anti-war.), and her fascination with Kabbalah.
Of course, this era would be marked with some more bad movies, and a widely criticized album (American Life), which in my opinion was very well written, but I've never been a fan of the style of music itself. Of course, I do think part of the criticism for the album (and it's poor showing) was a minor case of what happened to the Dixie Chicks - she got screwed over for daring to speak out against war in Iraq (good for her!).
However, as we know, the fun was really about to begin...
June 2004: "You want to be Esther now? Fine. YOU can call ME Madonna!"
Madonna, for the first time in many years, brought amusement into my life when she told the world she adopted the name "Esther". My first reaction was shock. "No, what will the world do without Madonna?!"A few hours later, I laughed my ass off, and decided I would change MY name to Madonna. Of course,
I wasn't the only one who had that idea...
What started off as a small joke turned into an enormous one - this blog, and deciding "You know what? I like it here. I'll keep this name. I'm your Madonna now! Muahahahaha!"
July 2004-early 2005: "You know, I had forgotten how much I loved Madonna. She still kicks ass!" (Wait, does that mean I kick ass?)
Sure, I found (and still find) this new "Esther Madge" to be weird, and I look at her sometimes and think "I miss the old Madonna". But, at the same time, it's definitely brought me back full-circle, to the days where I thought Madonna was awesome. Though, I must admit, I spend more time enjoying the old Madonna - 1983-1995 than the current one.
(Cue the old NFL playoffs commercial from 1999: The one with a father and son in Jets gear in 1969. As time goes on, the father changes teams - Cowboys, Steelers, 49ers, Broncos, etc. The son the whole time is still a Jets fan...
1999 rolls around. The Jets are in the playoffs and doing well. The father is once again a Jets fan. His son rolls his eyes... Caption: I was here all along.)
Much like that father, over the course of 19 years, I wasn't here all along. I went through periods where I really didn't care much for Madonna, and times where I despised her... And while I can't say I love her more than Sherrie Austin (or even The Beatles), she's definitely way up there once again...
But, I miss the old Material Girl. I love the Maternity Girl, but she just isn't quite the same. Though, while she's not as much fun, she definitely seems to be trying to become a better person (and for that, I say good for her).
Why this post now? Because we must come to the most recent phase...
June 2005: "Madonna has gone bye-bye, Egon. What have you got left?"
Esther Madge seems to be going "deeper and deeper" into Kabbalah, and I'd be lying if I said it didn't leave me scratching my head... Red strings, a new name, and even a Kabbalah hotel in London. Plus there is the controversial feuding with other celebrities (such as Boy George lashing out at her), and rumors (neither confirmed nor denied) that she has walked away from people because they aren't into Kabbalah as well.
It's my hope that Esther Madge finds happiness, but sometimes I fear she's setting herself up for a deep disappointment on this path. While I know there are legitimate and serious teachings of Kabbalah, I do wonder if the form she's following are being used as a pawn in a Scientology-style cult religion. I wonder if she'll find herself used and hurt as a result of all of this.
All I know is that at times like this, I do miss that gum-popping, chain-smoking, breast-revealing, fetishwear-donning, f-bombing outrageous young woman who took the world by storm. Which is, well... why I guess you're stuck with me now. :P
You can call me Madonna. And as for you, Esther Madge... Finders keepers, losers weepers! Muahahaha... :P
Labels: Madge Worship, Reinvention